I specialize in post-production sound, including dialogue editing, sound design, Foley, music composition, final mix, and voiceover recording. I also offer location sound recording for film, TV, and commercial shoots.
Yes—within reason! I’ve cleaned up everything from noisy interviews to airplanes flying overhead. While not all audio is salvageable, I’ll always do my best to bring clarity and balance to your tracks.
Absolutely. I love working with directors to create custom music that fits the tone and pacing of their project—whether it’s moody, whimsical, dramatic, or just plain weird.
For most on-set or location work, I run a Sound Devices 633 field mixer/recorder, which gives me 6 clean channels to work with. My wireless kit includes Lectrosonics transmitters and receivers, and my go-to shotgun mic is the Sanken CS-3e, which performs beautifully in challenging environments.